Participantes
- Livia Segurado Nunes, Aix-Marseille Université – LERMA (France)
Shakespeare à la Brasileira: A comical and folkloric Richard III - Aimara da Cunha Resende, Centro de Estudos Shakespeareanos (Brésil)
Shakespeare on the Brazilian Screens
Organisateurs
Sophie Chiari (chiarisophie@hotmail.com) is a Senior Lecturer in English Literature at Aix-Marseille University, France. She has written several articles on Elizabethan drama and poetry, and has recently published a monograph on The Image of the Labyrinth in the Renaissance (Champion, 2010). She has just completed a translation of Jane Austen’s Pride and Prejudice into French (Le livre de poche, 2011) and a revised edition of Renaissance Tales of Desire (CSP, 2012). She is currently working on a special issue of EREA devoted to colours in early modern England as well as on a book devoted to William Shakespeare and Robert Greene (Classiques Garnier). She is also part of a collaborative project coordinated by Jean-Michel Déprats and focused on the translation of Tennessee Williams’s dramatic works (Editions théâtrales).Mickael Popelard (mickael.popelard@unicaen.fr) is a Senior Lecturer in English studies at the University of Caen-Basse Normandie, France. His interests include Renaissance literature as well as the history of ideas. He has written several articles on Elizabethan drama and early modern men of science such as John Dee or Thomas Harriot. His latest publications include a book on Francis Bacon (Francis Bacon: l’humaniste, le magicien, l’ingénieur, Paris, PUF, 2010) and a monograph on the figure of the scientist in Shakespeare’s The Tempest and Marlowe’s Doctor Faustus (Rêves de puissance et ruine de l’âme: la figure du savant chez Shakespeare et Marlowe, Paris, PUF, 2010). He has also recently contributed to a volume on the quest for the Northwest Passage edited by Frédéric Regard (The Quest for the Northwest Passage, London, Pickering and Chatto, 2013).
Participants
Panel A: Shakespeare et la science- Frank Lestringant, Université Paris Sorbonne (France)
La Tempête de Shakespeare, ou le témoignage de la cartographie renaissante - Margaret Jones-Davies, Université Paris Sorbonne (France)
Les énigmes abstraites (‘abstract riddles’) de l’alchimie (Ben Jonson, The Alchemist, 2.1.104) - Pierre Iselin, Université Paris Sorbonne (France)
La musique : science ou pratique ? - Pascal Brioist, Université de Tours (France)
L’école de la nuit revue et corrigée
Panel B: Shakespeare and Science
- Carla Mazzio, University at Buffalo, SUNY (USA)
The Drama of Mathematics in the Age of Shakespeare - Jonathan Pollock, Université de Perpignan (France)
Shakespeare and Atomism - Anne-Valérie Dulac, Université Paris 13 Nord (France)
Shakespeare’s Alhazen: Love’s Labour’s Lost and the history of optics - Liliane Campos, Université Paris 3-Sorbonne Nouvelle (France)
Wheels have been set in motion”: geocentrism and relativity in Stoppard’s Rosencrantz and Guildenstern are Dead
Horaire
Panel A: Vendredi 25 avril 2014, 9h-10h30.Panel B: Vendredi 25 avril 2014, 11h-12h30.
Salle : Vendôme.
Organisatrices
Christa Jansohn, University of Bamberg (Allemagne) et Dieter Mehl, University of Bonn (Allemagne)Participants
- Andrew Dickson, Theatre Editor for the Guardian (Royaume-Uni)
National Poet or National Disgrace? Britain’s Tercentenary of 1864 - Marie-Clémence Régnier, Université Paris Sorbonne (France)
«Que peut donc le bronze là où est la gloire?» The French Jubilee in 1864: monuments and pilgrimage in Stratford in Victor Hugo’s William Shakespeare - Júlia Paraizs, Hungarian Academy of Sciences (Hongrie)
Festive and Critical Approaches: Shakespeare’s Tercentenary (1864) in Hungary - Ann Jennalie Cook, Vanderbilt University (États-Unis)
Commemorations Behind the Scenes - Alfredo Michel Modenessi, Universidad Nacional Autónoma de México (Mexique)
Latin America, 1964: Art and Politics in the Year of Celebrating Shakespeare - Mami Adachi, University of the Sacred Heart, Tokyo (Japon)
Commemorating Shakespeare in Japan
Horaire
Panel A: Mardi 22 avril 2014, 9h-10h30.Panel B: Mardi 22 avril 2014, 11h-12h30.
Salle: ENS, salle Dussane.
Participants
- Andrea F. Trocha-Van Nort, United States Air Force Academy (États-Unis)
Shakespeare’s Secular Man within Nature - Camilla Caporicci, University of Perugia (Italie)
“I Guess One Angel in Another’s Hell”: The “Heretical” Nature of the Dark Lady Sonnets and Their Reception - Jean-Louis Claret, Aix-Marseille University (France)
Shakespeare the Atheist - Cristiano Ragni, University of Perugia (Italie)
«Necessity will make us all forsworn»: French brawls and Machiavellian kings in Shakespeare’s plays
Participants
Panel A: Tradition and the Shakespearean talent (présidence: Laetitia Sansonetti)
- Andy Auckbur, Université de Reims Champagne-Ardenne (France)
“He was another Nature”: Shakespeare’s genius and sixteenth-century literary theory - Daniel Cadman, Sheffield Hallam University (Royaume-Uni)
‘Quick Comedians’: Garnier, Sidney, and Antony and Cleopatra - Sally Barnden, King’s College, London (Royaume-Uni)
The man with the skull: negotiating Hamlet’s appropriation of memento mori art
Panel B: Shakespeare and his foils (présidence: Anne-Valérie Dulac)
- Chantal Schütz, École polytechnique and EA PRISMES – Université Paris 3 (France)
Middleton and Shakespeare: collaboration, parody and rewriting - Rémi Vuillemin, Université de Strasbourg (France)
‘The course of true love never did run smooth’: Renaissance Petrarchism and Shakespearean criticism - Laetitia Sansonetti, École polytechnique and EA PRISMES – Université Paris 3 (France)
Shakespeare = Marlowe + Spenser? The coincidence of opposites as critical dogma
Organisateurs
Dr. Poonam Trivedi, Associate Professor, Department of English, Indraprastha College, University of Delhi, Delhi (Inde) poonamtrivedi2@gmail.comDr. Sarbani Chaudhury, Professor, Department of English, University of Kalyani, Kalyani (Inde) sarbanich@gmail.com
Participants
- Sarbani Chaudhury, University of Kalyani (Inde)
Fun, Frolic and Shakespeare: Kalyani Ishtyle - Poonam Trivedi, University of Delhi (Inde)
Rhapsode of Shakespeare: V Sambasivan’s popular kathaprasangam / storytelling - Paromita Chakravarti, Jadavpur University, Kolkata (India)
Taming of the Bard, Bengali ishtyle: Domesticating farce in Srimati Bhayankari - Preti Taneja, Royal Holloway, University of London (Royaume-Uni)
Who is the wise man and who is the Fool? The importance of buffoonery in Indian Shakespeare
Organisateurs
Dympna Callaghan, Margaret Tudeau-Clayton, Lukas Erne, Indira Ghose (États-Unis-Suisse)Participants
- Lukas Erne, University of Geneva (Suisse)
Reconfiguring Shakespeare: Catholic and Protestant Editing - Margaret Tudeau-Clayton, University of Neuchâtel (Suisse)
“All of one communitie”: Shakespeare, Florio and the translation of Montaigne - Indira Ghose, University of Fribourg (Suisse)
Shakespeare, Civility, and Identity in Early Modern England - Dympna Callaghan, Syracuse University (États-Unis)
Shakespeare and the Culture of Resemblance
Participants
- Carla Dente, Université de Pise (Italie)
Heteroglossia and Text Construction in the Framework of Political and Cultural Diversity: From Shakespeare’s Henry V to Greig’s Dunsinane - Pavel Drábek, University of Hull (Royaume-Uni)
Heteroglossic Subjects: the Dialogism of the Shakespearean Actor - Martin Procházka, Charles University in Prague (République Tchèque)
Chronotope and Heterotopia: Carnival Time and Grotesque Bodies in Twelfth Night and The Second Part of Henry IV
Organisateur
Christopher Leslie, Polytechnic School of Engineering at New York University (États-Unis)Participants
Panel A- Justin Kolb, American University in Cairo (Egypte)
“The Dissolution of the Engine of this World”: The decay of nature and the Anthropocene in the history plays - Felix Sprang, University of Hamburg (Allemagne)
“What manner o’ thing is your crocodile?” Shakespeare’s Animals – a Class of Their Own. - Martin Hyatt, Ph.D., independent scholar
Shakespeare and Birds - Jarosław Włodarczyk, Polish Academy of Sciences and Maria Curie-Skłodowska University, Lublin
and Zuzanna Czerniak, Maria Curie-Skłodowska University, Lublin (Pologne)
Astronomical Fragments in Shakespeare and Modern History of Astronomy
Panel B
- Christopher Leslie, Polytechnic School of Engineering at New York University (États-Unis)
Specters of Unnatural History in Macbeth - Marianne Kimura, Yamaguchi Prefectural College (Japon)
Hamlet as a Cosmic Allegory about Solar Energy - Shu-hua Chung, Tung Fang Design Institute (Taïwan)
Nature in The Tempest - Neslihan Ekmekçioğlu, Hacettepe University (Turquie)
The Tempest in Prospero’s Mind and in Outer Space, Reflecting the Creative Imagination of the Artist and the Natural History of the Time
Participants
- Simone Broders, Friedrich-Alexander-Universität Erlangen-Nürnberg (Allemagne)
« TaH pagh, taHbe' » – Shakespearean Heritage in the Postmodern Space Opera - Delilah Anne Bermudez Brataas, Sør-Trøndelag University College, Trondheim (Norvège)
The Extraordinary Presence of Shakespeare and his Characters in Alan Moore’s League of Extraordinary Gentlemen - Sujata Iyengar, University of Georgia (États-Unis)
‘Desdemona’s Voice’: The Shakespearean Past in Jeff Noon’s Vurt - Jennifer Drouin, University of Alabama (États-Unis)
Doctor Who‘s « The Shakespeare Code », or Science Fiction as a new New Historicism
Organisateurs
Agnès Lafont, University of Montpellier – Institut d’Etudes sur la Renaissance, L’âge Classique et les Lumières, UMR 5186 (France)and Atsuhiko Hirota, Kyoto University (Japan)
Participants
Chair : Yves Peyré, Université Paul Valéry, Montpellier (France)- Charlotte Coffin, Université Paris Est Créteil Val de Marne (France)
Where from and where to? Heywood’s appropriation of classical mythology in The Golden Age (1611) - Tania Demetriou, University of York (Royaume-Uni)
The Genre of Myth, or Myth without Ovid? - Atsuhiko Hirota, University of Kyoto (Japon)
Venetian Enchantresses and Egyptian Sorcery: Transformations of the Circean Myth in Othello - Agnès Lafont, Université Paul Valéry, Montpellier (France)
Ovidian emergences in Spenser’s Faery Queen: Britomart and Myrrha, an unexpected textual junction? - Janice Valls-Russell, Université Paul Valéry, Montpellier (France)
Constance and Arthur as Andromache and Astyanax? Trojan Shadows in Shakespeare’s King John
Participants
Session A: Theoretical Perspectives on Manga and Animation Shakespeares
Présidence: Ryuta Minami (Shirayuri College, Japon)
- Yilin Chen, Providence University (Taïwan)
Frailty, Thy Name Is Woman”: A Striking Absence of Gertrude and Her Sexuality in the Taiwanese Graphic Novels of Hamlet - Ma Yujin, University of London (Royaume-Uni)
A Brief Study of the Readership of Chinese Shakespeare Manga - Ryuta Minami, Shirayuri College (Japon)
Global Dissemination of Fragments of Shakespeare in Japanese Anime (Animation Films)
Session B: Practitioners’ Perspectives on Shakespeares and Manga
Présidence: Yilin Chen, Providence University (Taïwan)
- Yukari Yoshihara, University of Tsukuba (Japon)
Which is more global, manga or Shakespeare? - Harumo Sanazaki, Artiste manga, Japan) (interprétation consécutive par Ryuta Minami)
Creating Manga Shakespeare for Mature female Readers: a Sex-Positive Feminist’s Point of View - Emma Hayley, Directrice de SelfMadeHero (Royaume-Uni)
On SelfMadeHero’s Manga Shakespeare Series - Sonia Leon, artiste de Manga (Royaume-Uni), créatrice de Manga Shakespeare: Romeo and Juliet
Horaire
Panel A: Mercredi 23 avril, 9h-10h30.Panel B: Jeudi 24 avril 2014, 9h-10h30.
Salle : Vendôme.
Participants
Panel A: Shakespearean Levinas- Bruce Young, Brigham Young University (États-Unis)
Maternity, Substitution, and Transcendence: The Feminine in Shakespeare and Levinas - Kent R. Lehnhof, Chapman University (États-Unis)
Disincarnating God: Theology and Phenomenology in King Lear - Sean Lawrence, University of British Columbia (Canada)
The Peace of Empires and the Empire of Peace in Shakespeare and Levinas
Panel B: Levinasian Shakespeare
- David Goldstein, York University (Canada)
Blindness and Welcome in King Lear - James Kearney, University of California, Santa Barbara (États-Unis)
Money, Sociality, Justice: The Levinasian Third and The Merchant of Venice - James A. Knapp, Loyola University Chicago (États-Unis)
Time and the Other in Shakespeare’s Cymbeline
Horaire
Panel A: Jeudi 24 avril 2014, 11h-12h30.Panel B: Vendredi 25 avril 2014, 11h-12h30.
Salle : V106A.
Organisateurs
Clara Calvo Universidad de Murcia (Espagne) et Coppélia Kahn, Brown University (États-Unis)Participants
Panel A:- Andrew Murphy, University of St. Andrews (Royaume-Uni)
Radical Commemorations: 1864 Chartists and 1916 Rebels - Monika Smialkowska, Northumbria University (Royaume-Uni)
Reluctant Commemorators: Rudyard Kipling’s and Thomas Hardy’s Contributions to Israel Gollanz’s A Book of Homage to Shakespeare - Nely Keinänen, University of Helsinki (Finlande)
Commemoration as Nation-Building: The Case of Finland, 1916
Panel B:
- Richard Schoch, Queen’s University Belfast (Irlande)
Genealogies of Shakespearean Acting - Graham Holderness, University of Hertfordshire (Royaume-Uni)
Remembrance of Things Past: 1851, 1951, 2012 - Nicola J. Watson, Open University (Royaume-Uni)
Gardening with Shakespeare
Participants
- Michael Alijewicz, Queen’s University Belfast (Irlande)
Birnam Wood Moves on the Stage: Reading Probability and Architecture in Macbeth - Lois Leveen (États-Unis)
Putting the ‘Where’ into ‘Wherefore Art Thou’: Urban Architectures of Desire in Romeo and Juliet - Muriel Cunin, Université de Limoges (France)
Shakespeare, Architecture and Privacy - Melissa Auclair, University of Toronto (Canada)
Coming into the Closet: Spatial Practices and Imagined Space in Shakespeare’s Plays
Participants
Panel A:- Renfang Tang, University of Hull (Royaume-Uni)
From Shakespeare’s Text to Chinese Stage: Performance-oriented Translation of Measure for Measure - Pawit Mahasarinand, Chulalongkorn University (Thaïlande)
Shakespeare in Contemporary Thailand: Macbeth in Thai Politics and Othello in Thai Premier League - Thea Buckley, University of Birmingham (Royaume-Uni)
Appropriating Shakespeare in South Asia: Cases of the Malayalam Films
Panel B:
- Yukari Yoshihara, University of Tsukuba (Japon)
Transvestites in Shakespeare and Manga Adaptations of Shakespeare - Kang Kim, Honam University (Corée du Sud)
Graphic Shakespeare in Korea: From Literature to Pop Culture - Lipika Das, IIIT Unitary University-Odisha (Inde)
The Effects of Western impact on Odia literature through Shakespeare Translations
Participants
- Philippe Adrien, metteur en scène (France)
- Marielle David, Pédopsychiatre psychanalyste (France)
Roméo et Othello, «Objet ou sujet de la passion?» - Marthe Dubreuil, Comédienne, metteur en scène, Psychologue clinicienne psychanalyste (France)
Shakespeare, aux limites du genre - Thémis Golégou, Psychologue clinicienne, Université Paris 7 (France)
Ophélie, «le signe éternel» de la fin - Christian Hoffmann, Professeur de psychopathologie et psychanalyste, Université Paris 7 (France)
Le désir d’Hamlet - Alain Vanier, Professeur de psychopathologie, Université Paris 7 (France)
Plus d’infos
Le panel propose une approche psychanalytique de certains des héros shakespeariens, à partir des concepts fondamentaux de la psychanalyse, de Freud à Lacan: Le complexe œdipien, deuil et mélancolie, désir et relation d’objet, fonction paternelle. Le metteur en scène Philippe Adrien complètera cette approche en racontant comment sa connaissance de la psychanalyse a pu, ou non, modifier son regard dans ses mises en scène de Shakespeare.
Participants
Présidence: Indira Ghose, Université de Fribourg (Suisse)- Ruth Morse, Université Paris-Diderot (France)
Earths - Russ McDonald, Goldsmiths College, University of London (Royaume-Uni)
Come Into the Garden, Bard - David Schalkwyk, director of Global Shakespeare, Queen Mary University of London / University of Warwick (Royaume-Uni)
Land and Freedom
Participants
- Sidia Fiorato, University of Verona (Italie)
From Verbal to Visual Aesthetics: Remediating Shakespeare Through the Dancing Body - Lorelle Browning, Pacific University (États-Unis)
Adapting Shakespeare’s Rhythmic Structure to Movement - Freya Vass-Rhee, PhD, University of Kent (Royaume-Uni)
Hamlet and the Creation of William Forsythe’s Sider
Participants
- Timothy Hampton,University of California at Berkeley (États-Unis)
Delay, Deferral, and Interpretation in Renaissance Peacemaking - Joanna Craigwood, Sidney Sussex College, Cambridge (Royaume-Uni)
Diplomacy and King John - Nathalie Rivere de Carles, Université Toulouse Le Mirail (France)
Mutual disarmament and the politics of appeasement in Shakespearean drama
Participants
- Chloe Preedy, University of Exeter (Royaume-Uni)
Fortune’s Breath: Rewriting the Classical Storm in Marlowe and Shakespeare - Paul Frazer, Northumbria University (Royaume-Uni)
Marlowe and Shakespeare Restaged: Influence, Appropriation, and ‘Mobility’ in Thomas Dekker’s Drama - Roy Eriksen, University of Agder (Norvège)
Working with Marlowe: Shakespeare’s Early Engagement with Marlowe’s Poetics
Participants
- Simon Smith, Birkbeck College, London (Royaume-Uni)
Robert Armin on Shakespeare: The Two Maids of More-Clacke - Derek Dunne, Queen’s University, Belfast (Royaume-Uni)
Serious Joking with Shakespeare’s Hamlet - Jackie Watson, Birkbeck College, London (Royaume-Uni)
Satirical expectations: Shakespeare’s Inns of Court audiences
Participants
- Clara Calvo, University of Murcia (Espagne)
Shakespeare and the Red Cross: The 1916 Grafton Galleries Exhibition - Ailsa Grant Ferguson, King’s College London (Royaume-Uni)
“Under strange conditions”: Shakespeare at the Front - Philip Mead, University of Western (Australie)
Antipodal Shakespeare - Gordon McMullan, King’s College London (Royaume-Uni)
Goblin’s Market: Commemorative Entrepreneurship and the Invention of “Global” Shakespeare in 1916
Participants
- Isabelle Colrat, Université Paris 3 Sorbonne Nouvelle (France)
Mémoire et pouvoir chez Carlos Fuentes : l’héritage shakespearien - Lydie Royer, Université de Reims Champagne Ardenne, URCA (France)
Les mises en scènes dans Palais Distants d’Abilio Estévez, roman cubain du
XXIe siècle - Cécile Brochard, Université de Nantes (France)
Shakespeare et les romans hispano-américains du pouvoir
Participants
- Howard Caygill, Professor of Modern European Philosophy à Kingston University (Royaume-Uni), auteur de Levinas and the Political (Londres: Routledge, 2002).
- Ken McMullen, Anniversary Professor of Film Studies à Kingston University (Royaume-Uni), réalisateur de Ghost Dance, un film tourné en 1983 sur Jacques Derrida.
- Martin McQuillan, Professor of Literary Theory and Cultural Analysis et Dean of the Faculty of Arts and Social Sciences à Kingston University (Royaume-Uni), auteur de The Politics of Deconstruction: Jacques Derrida and the Other of Philosophy (Londres: Pluto Press, 2007).
- Richard Wilson, Sir Peter Hall Professor of Shakespeare Studies à Kingston University (Royaume-Uni), auteur de Shakespeare in French Theory: King of Shadows (Londres: Routledge, 2007).
- Simon Morgan Worthan, Professor of Humanities à Kingston University (Royaume-Uni), co-Director of the London Graduate School, auteur de The Poetics of Sleep: from Aristotle to Nancy (Londres: Bloomsbury, 2014).
Panel 27
Speaking ‘but in the figures and comparisons of it’? Figurative speech made literal in Shakespeare’s drama / page and stageOrganisateurs
Denis Lagae-Devoldère et Anne-Marie Miller-Blaise (France)Participants
Président de séance et répondant: Denis Lagae-Devoldère, Université Paris-Sorbonne / Paris 4 (France)- Rocco Coronato, University of Padua (Italie)
Wafer-Cakes and Serpents: Melting the Symbol in Antony and Cleopatra - John Gillies, University of Essex (Royaume-Uni)
Calvinism as Tragedy in Othello - Harry Newman, University of Kent (Royaume-Uni)
‘I spake but by a metaphor’ : The Material Culture of Metaphors in Shakespearean Drama - Anne-Marie Miller-Blaise, Université Sorbonne Nouvelle / Paris 3 (France)
Literal Vienna
Participants
Répondants:- Adam Piette, University of Sheffield (Royaume-Uni)
- Geoff Cubitt, University of York (Royaume-Uni)
Panélistes:
- Erica Sheen, University of York (Royaume-Uni)
‘Zu politisch’: Berlin and the Elizabethan Festival, 1948 - Nicole Fayard, University of Leicester (Royaume-Uni)
Shakespeare’s Theatre of War in 1960s France - Keith Gregory, University of Murcia (Espagne)
Coming out of the cold: the celebration of Shakespeare in Francoist Spain - Isabel Karremann, University of Würzburg (Allemagne)
Shakespeare in Cold War Germany: The Split of the German Shakespeare Society in 1964 - Krystyna Kujawinska Courtney, University of Łódź (Pologne)
A Story of One Publication: Commemorating the Fourth Centenary of Shakespeare’s Birth in Poland - Irene R. Makaryk, University of Ottawa (Canada)
1964: Shakespeare in the USSR - Veronika Schandl, Pázmány Péter Catholic University (Hongrie)
‘Memory holds a seat in this distracted globe’: Shakespeare productions in Hungary in 1976
Horaire
Panel A: Mardi 22 avril 2014, 11h-12h30.Panel B: Mercredi 23 avril, 9h-10h30.
Salle : V106A.
Participants
- Lorna Hutson, University of St. Andrews (Royaume-Uni)
Imaginary Work: Lucrece’s Circumstances - Joe Moshenska, University of Cambridge (Royaume-Uni)
King Lear, Awkwardness, and Intention: Tolstoy’s Diatribe Reconsidered - Subha Mukherji, University of Cambridge (Royaume-Uni)
‘O she’s warm’: sense, assent and affective cognition in the early modern numinous
Participants
- Camille Guyon-Lecoq, Université de Picardie Jules Verne (France)
Mourir sur le théâtre, de Quinault à Voltaire : motif « romanesque » ou trace d’un modèle shakespearien inavoué ? - Audrey Faulot, Université de Picardie Jules Verne (France)
Cleveland au miroir d’Hamlet : le spectre et l’identité, de la scène tragique à la narration romanesque - Isabelle Hautbout, Université de Picardie Jules Verne (France)
Shakespeare dans les épigraphes du roman français au début du XIXe siècle - Marie Dollé, Université de Picardie Jules Verne (France)
Segalen et Shakespeare : le secret d’Hamlet
Participants
- Martin S. Regal, University of Iceland (Icelande)
Hamlet in Icelandic - Lily Kahn, University College London (Royaume-Uni)
Domesticating Techniques in the First Hebrew Translation of Hamlet - Roger Owen, Aberystwyth University (Royaume-Uni)
On the Welsh Translations of Hamlet - Nely Keinänen, University of Helsinki (Finlande)
Language-building and nation-building: the reception of Paavo Cajander’s translation of Hamlet, 1879